It would probably be impossible to make an uninteresting
documentary about the life of Norman Mailer, director Joe Mantegna's
Norman Mailer: The American is not interesting. It is absolutely fascinating. Relying on a wealth of film of the never
camera shy author himself interwoven with revealing commentary from wives and
lovers, friends and enemies, he creates a warts and all portrait of a complex man who at
times managed to be a writer of genius, at times an egomaniacal reprobate. For all his flaws, and there were many of
them, he had the kind of personality that could infatuate some, infuriate
others. Those that loved him seemed to
love him no matter what he might do; for those that hated him, he could do
nothing worthwhile.
Mantegna begins with some information about Mailer's
parents, his childhood, and even his early writing success with a prize winning
short story while at Harvard, but the real focus of the film is the prominence
that he achieved with his debut novel The Naked and the
Dead, a book many people still consider his finest piece of work and
his life and work until his death in 2007.
This is a man who had six wives, nine children, and who knows how many
mistresses. This is a man who managed to
get a murderer freed from prison only to have him murder again, a who man
stabbed his second wife and persuaded her not to press charges, a man who
marched on Washington to end the Viet Nam War, and can be seen in a movie doing
his best to bite off Rip Torn's ear.
There is a good deal about Mailer's writing. "Why do I write?" He has said: "Why did I start to
write? Because it was the only thing I
was good at and I wanted to be more attractive to the girls." That's
Mailer at his best, a little false modesty, a bit of a wink, and you know damn
well he doesn't mean a word of it. The critical
failure of the novels he wrote after the phenomenal success of his first book
left him seriously depressed. He turned
to journalism and non-fiction and in effect invented his own new genre for his
reportage--History as a Novel/The Novel as History, creative
non-fiction. He wrote about people and he wrote about events. Eventually he returned to the novel, and once
a again found acclaim. He won two Pulitzer Prizes and was still writing up to
his death. This is not a man who took
his craft casually.
There is a good deal about his personal life. His sexual peccadilloes are trotted out with
gusto. His brawls, both physical and
intellectual, are itemized with special emphasis on the film of the fight with
Torn and the contretemps with Gore Vidal on Dick Cavett's TV show. His career as a political provocateur, from
his anti-war activities to his race for mayor in New York, is illustrated. He is shown in the context of the sweeping
societal changes that were shaping the country in the latter half of the 20th
century. The major figures and events of
the period, whether the presidency of LBJ or the emergence of Muhammad Ali, are
always cited to provide the background needed to understand how the times
helped to make the man.
There are touching moments.
Mailer looks back on a copy of his bar mitzvah speech. His wife Adele reads
from a letter he sent from the Pacific during the war. There are moments that make you cringe. His wife describes the crude language he used
where his mother was bound to hear. There
is film of screaming quarrels with his fourth wife. He can be witty and urbane. He can be gross and boorish, but he can never
be boring, and neither can any decent documentary of his life. Montegna hasn't merely brought the man to the
screen, he has brought him to life.
Cinema Libre's DVD runs 85 minutes. Bonus features include the film's trailer, a
gallery of letters from Mailer to his wife Adele, and some further interview
material with Mailer.
This article was first published at Blogcritics
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