Showing posts with label mythology. Show all posts
Showing posts with label mythology. Show all posts

Friday, May 25, 2012

Graphic Book Review:Zeus and the Rise of the Olympians

This article was first published at Blogcritics


Parents of superhero drenched comic book fans interested in introducing their children to something a little more culturally substantial may want to take a look at the latest volume from Campfire Graphic's Mythology series, Zeus and the Rise of the Olympians.  Much like the Classic Comics of old, Campfire's publications—novels, biographies, myths—hopefully build upon youngsters' interest in comic books to get them excited about more important literature.  Graphic versions of "the best that has been known and thought in the world" certainly can be one way to motivate interest in the original, and if they don't, well getting the story of Eros and Psyche or The Merchant of Venice from a graphic book, is clearly better than not getting it at all.

Taking the form of a teacher in ancient Greece telling her class the story of Zeus, Ryan Foley's version begins with the legend of the conquest of Ouranos by his son Chronus and the curse that Chronus will in turn be overthrown by his own child.  It describes how Zeus escapes the fate of his five siblings through the guile of Rhea and Gaea, and his eventual fulfilling the curse and imprisoning Chronus in Tartarus.  It is a story filled with fighting, treachery and monsters—much the kind of thing that should easily attract the imagination of any youngster enamored with the likes of Spiderman or the Green Goblin.  In fact, some parents may find it a bit too violent for their taste, so it would make sense to preview the material.  Violence is, of course, endemic to Greek mythology; still, this is not a book for young children.

Jayakrishnan's illustrations are in the best traditions of the superhero genre.  Comic readers will find themselves quite at home with his work.  His vision of the monsters in Pandemonium and Chaos at the very beginning is nightmarish, and his depictions of Brontes the Cyclops, the Hecatonchires (Hundred-handers), and Kampe (a she-dragon) are equally horrifying.  Truly it would be necessary to be a god like figure, if not a god yourself to defeat creatures of this sort.  The art work, often dark and grainy in some of the other Campfire editions, avoids the garish quality of some comics in favor of a grittier vision, a grit eminently suitable to the subject matter.

Like others in the Campfire series, Zeus and the Rise of the Olympiansbegins with a page introducing each of the major characters and ends with a page or two of general information on some topic that should be of interest to the young reader and perhaps spark further study.  In this case, there is some discussion of the Olympic Games, a bit about Greek architecture with examples from around the world, and some information about words derived from the Greek gods. 

Other books in the Campfire Mythology series that could be of interest are Stolen Hearts: The Love of Eros and Psyche. The Legend of Heracles, and Jason and the Argonauts. While there are some adaptations of mythological materials from other cultures in their catalogue I haven't yet seen them, but if they are as well done as the Greek myths, I would imagine they would warrant some attention.

Wednesday, February 9, 2011

Graphic Book Review: Stolen Hearts: The Love of Eros and Psyche by Ryan Foley, illustrated by Sankha Banerjee

This article was first published at Blogcritics

Written by Ryan Foley and illustrated by Sankha Banerjee, Stolen Hearts: The Love of Eros and Psyche is the latest in the Campfire Graphic Novel Mythology Series. The myth is framed as an object lesson on the power of love to overcome all obstacles. Demiarties, a female tutor, tells the story to her teenage charge who is having problems with the family of the young man she is in love with. The young man's mother feels she is not good enough for him. "Take two prominent families." Demiarties tells her. "Have two young members of the families be in love. Add a disapproving mother who wants to keep them apart. . . . that is a tale as old as time itself." Psyche's story, she goes on, is a story of "romance, trust, separations, second chances, and a very powerful disapproving mother."

The story she tells follows the traditions fairly closely. Aphrodite, jealous of Psyche's beauty sends her son, Eros to use his arrows to cause her to fall in love with some foul creature. Eros, however, succumbs to her beauty and falls in love with her himself. When Aphrodite refuses to relent in her animosity to Psyche, Eros vows to withhold love of all kinds from the world and eventually Aphrodite is forced to give in. The story continues with the strange marriage between the lovers, Psyche's failure to obey the command that she not look at her husband, her various labors to make up for her failure, including her descent into Hades, and of course her final transformation into a goddess. Foley tells the story in a straight forward manner, but never loses its magical quality. The young adult is the audience Campfire generally aims at, and this is just the kind of tale that can capture their target audience's imagination and encourage further exploration.

Campfire fosters such exploration with the inclusion of a two page addendum at the book's conclusion in which several other classic romances are summarized under the title, "Legends of Love." These include Romeo and Juliet, Antony and Cleopatra, Paris and Helen from the Western tradition in literature, as well as Salim and Anarkali and Layla and Majnu from the Eastern. Their stories are presented in short paragraphs with single illustrations of each of the couples. Interspersed on the pages are interesting facts related to the stories. For example, the planet Uranus has one of its twenty seven moons named Juliet and Cleopatra supposedly bathed in donkey's milk. Again these are the kinds of things that may well send the young reader to the internet for more information, maybe even the library.

Banerjee's illustrations seem smoother and brighter than has been the norm in previous Campfire editions. Even the images of Psyche in Hades are not as dark as they might have been. Representations of the gods and goddesses are imbued with the kind of monumentality you would expect from divine beings. Often panels are laid out so that the figure of the god dominates the page. In general, the illustrations are effectively fine tuned to work closely with the text.

If you are looking for a way to introduce a youngster to the magical world of mythology, this Campfire version of Eros and Psyche is a good place to start. It is a story that has everything: romance, jealousy, adventure, and mystery. It is a story with lessons to learn, morals to be drawn. But most important of all, it is a story told with flair and illustrated with style.