Were it not for all the hoopla surrounding the musical Hamilton, no doubt the star power of its
creators Steve Martin and Edie Brickell, if nothing else, would have garnered
the Broadway bluegrass musical Bright
Star a greater share of the hype. Not that the production does not deserve
it. It does. It has a fairy tale-like book following two stories separated by
some 20 odd years—thwarted love in the 1920’s and a young man’s search for his
bliss in the 1940’s. Both, of course, come together by the final curtain. It
has a fine tuneful score more often Broadway tinged with bluegrass than it is
bluegrass tinged with Broadway. Moreover it is filled with fine musical
performances by an excellent though perhaps underrated cast, led by Tony
nominated Carmen Cusack.
And on May 27, those performances will be available in CD
format on Ghostlight Records’ original cast recording.
Cusack, it is true, has much the best material to work with,
but also true is that she knocks every chance she gets out of the park.
Beginning with a dynamic performance of the show’s opening number, the
character defining “If You Knew My Story” through her bravura take on the
anthemic ballad that leads to the finale, “At Long Last,” one of the tunes
attributed solely to Brickell. The other is another blast for Cusack, the
lovely, wistful ”Way Back in the Day.” She joins with Paul Alexander Nolan for
a rousing take on “Whoa, Mama,” a tune that reminds me in parts of the classic
“Pick a Bale of Cotton.” Nolan also takes the lead on the duet “What Could be
Better” and retires some on “I Can’t Wait.”
“Heartbreaker” is a melodramatic showpiece for him matching the ensemble
piece in the first act, “Please, Don’t Take Him.”
“Bright Star,” the title song, is a pleasant centerpiece for
A. J. Shively, who joins with Jeff Blumenkrantz and Emily Padgett for the jazzy
“Another Round.” “Asheville” is a country ballad for Hannah Elless who joins
with Shively to do their best with the somewhat treacly “Always Will.”
Bright Star, as
the cast recording makes clear, is Carmen Cusack’s show and she makes the most
of it.
The album comes with a booklet that includes a synopsis of
the story by Bill Rosenfield, complete lyrics, and notes from Brickell, Martin,
Rosenfield and album producer and music supervisor Peter Asher.
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