Before there was a DEA, America’s war on drugs was handled
by an agency called the Federal Bureau of Narcotics. The New York office was
headquartered at 90 Church, a retired post office in Lower Manhattan, hence the
title of Federal Agent Dean Unkefer’s wildly violent memoir of his time with
the Bureau, 90 Church: Inside America’s
Notorious First Narcotics Squad. It is a story of a squad of agents bent on
doing whatever it took to make cases against the drug hierarchy. They were uninterested
in the small fish, unless they could be used to get to the bigger fish. They
were not only firm believers in the idea that the ends justified the means,
they also saw nothing wrong with using those means for their own benefit. It is
an account of police authorities acting as badly as the criminals they seek,
often worse.
Unkefer arrives with his family from the mid-west in 1964, a
naif still wet behind the ears. He has all sorts of ideas about fighting for
truth, justice and the American Way, a creed he learned as a child watching Superman, but it doesn’t take long for
him to understand that at 90 Church things don’t quite work that way. His
memoir is a collection of scams, shoot outs and double crosses, the kinds of
stories you’d likely find in a James Elroy novel.
You meet agents like the wise cracking Dewey Paris and the master
planner Michael Giovanni. You meet entrapped informants like the ad man Eliot
Goldstein and the low level pusher Pepper. You meet organized crime big shots
like Dominic Scarluci and the Medally Brothers. All drawn with the kind of
realism that suggests that the narrator knows what he is talking about and no
matter how hard to believe, what he is telling you is in fact what was going
on.
Unkefer writes with conviction. Despite the fact that he has
changed names, despite the fact that he invents conversations and dialogue,
despite the fact that his account reads like a novel, the reader can’t help but
wanting it all to be true, all to be just the way he describes it. Perhaps this
is because he is as hard on himself and his own dishonorable behavior as he is
on everyone else in the book. He never paints himself as a saint. He does
drugs. He cheats on his wife. He uses junkies. He may feel bad about it at
first, but he doesn’t stop. And if he’s willing to say these things about
himself, what he says about others would have to be true. If this were a novel,
Unkeefer would be the very model of the reliable narrator. He calls 90 Church a memoir, and I for one am
willing to believe him.
And if the ‘good guys’ are sometimes just as bad as the ‘bad
guys,’ indeed sometimes worse, that may well be a very accurate description of
reality.
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