Put two great artists in a recording studio and leave them
to their own devices, and if those artists are Tony Bennett and Bill Evans,
you’re likely to come up with something special. At least that’s what you’d
expect. And while just how special the music from the duo’s 1975 and 1976
sessions which produced first The Tony
Bennett/Bill Evans Album and then its sequel Together Again is debatable. There is no debate but that the
performances are exceptional, even, if at least for some listeners, not quite
as exceptional as expected: once again suffering the curse of great
expectations.
Now comes the release April 28, of a “deluxe” four-LP Box
set of The Complete Tony Bennett/Bill
Evans Recordings, and it is something of a mixed blessing. The set includes
both original albums plus two discs made up of bonus tracks and alternate
takes, as well as what they call a “collectible 12X12 photograph” of the
duo and a 12-page booklet with liner
notes by Will Friedwald. But since the music itself is already available on a
2009 two-disc CD, the audience for the new release would seem to be the
audiophile with a jones for vinyl and the most devoted of Bennett, Evans fans,
the kind of obsessive collectors who must have everything.
Since I only had access to CD versions of the “Audio from
the Forthcoming Vinyl Box Set,” which I presume is comparable to, if not
actually the same as the 2009 release, I have no way of commenting on the sound
quality of the new release. As far as the music itself, Bill Evans can’t make a
mediocre album, and Tony Bennett in the seventies is at his best, so put me in
the great expectations met camp. Their alternate takes would have been gems for
other artists. And it is interesting to hear and try of compare rejected takes
with those used on the album.
The songs for the album were chosen on the spot. Bennett and
Evans worked out the arrangements “semi-spontaneously.” There are a number of
stalwarts from the Great American Songbook: tunes like “Young and Foolish,”
which opens the first album, “My Foolish Heart,” “Make Someone Happy,” and
“Days of Wine and Roses.” There are some less familiar pieces, songs like “When
in Rome” and “You’re Nearer.” There is a version of the classic Evan’s
instrumental, “Waltz for Debby” with lyrics by Gene Lees (although why you
would want to burden that masterpiece with lyrics is beyond me).
I can’t speak for the vinyl set, but the two-CD album is a
joy.
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