Near the beginning of her interview on the DVD that
accompanies her tribute album to the great Billie Holiday, To Lady With Love, Annie Ross tells the story about how she first
met Lady Day when she was called upon to stand-in for her at an Apollo Theater
gig. She recalls her trepidation at filling in for a singer she had idolized
since she was a teen, and she recalls Holiday’s supportive reaction to her
performance as she fell into the star’s arms when it was over. That was the
beginning of a friendship that lasted through the rest of Holiday’s life.
Ross, now in her eighth decade and understanding her own
voice is no longer what it was when she became famous as a member of Lambert,
Hendricks and Ross, rather than looking to work with material from when Holiday
was at the heights of her vocal powers,
chooses to honor her by revisiting Holiday’s 1958 sunset recording, Lady In Satin, a recording made when
Holiday too was reaching the end of her remarkable career. With the exception of a short into and an original concluding
piece, “Music is Forever,” a kind of musical catalogue of the greats who have
passed on, as well as an additional song or two, the bulk of the album is
devoted to covers of songs from the Holiday album.
Whether she is covering classic tunes like “For All We Know”
and “You’ve Changed” or less well known pieces like “Violets for Your Furs,”
there is a heartfelt emotional honesty in the drama of her vocal stylings that
makes up for the vocal limitations of age. Like Holiday back in the day, Ross
knows what she can do with her instrument, and what she can’t. Ross is a pro.
She reminds me of Tennyson’s “Ulysses,” the aged warrior refusing to “rust
unburnish’d,” setting out to do something great again before the inevitable
end. Ross gives a heroic performance.
Other tunes in the set include “I Don’t Stand a Ghost of a
Chance with You,” “When Your Lover Has Gone,” “I Get Along Without You Very
Well,” and “Travelin’ Light.”
She is accompanied brilliantly by the guitars of Bucky and
John Pizzarelli.
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