When it comes to swinging big band jazz there are always the
familiar names at the top of the list—Goodman, Dorsey, Ellington, and of course
Basie. And whenever their work happens to get another life as from some newly
discovered archived performance, or a reissue of an out of print album, it is
easy to see why. Great soloists, tight ensemble work: these outfits are the
crowning glory of the middle of the last century. So when that antique material
comes available, you don’t want to miss out on it.
Featured on the album are Basie’s tenor saxophone stalwart,
Eddie ‘Lockjaw’ Davis, guitarist Freddie Green, and trumpeter Oscar Brashear.
In addition, as the limited liner notes point out, Basie, at the request of MPS
head Hans Georg Brunner-Schwer, did a lot more work on the piano than was his
normal practice. Chico O’Farrill, though best known for his Afro-Cuban music,
handled the arrangements on all but one of the album’s dozen tunes with a real
feel for the Basie vibe. Tenor sax man
and flautist Eric Dixon gets credit for the haunting arrangement of “I Don’t
Stand a Ghost of a Chance With You.”
The majority of the album consists of selections from the Great
American Songbook. Basie’s piano introduces a fine version of the classic
“Moonglow” and a shorter preface to a laid back “Sweet Lorraine.” He comes back
later in the number to take the tune to conclusion. He is also spotlighted on a
torrid “Ain’t Misbehaving.”
The set opens with the up-tempo “Idaho” and closes with a
sweetly syncopated “I’ve Got the World on a String.” They have fun with a witty
arrangement of a novelty number like “Ma, He’s Making Eyes at Me,” while
riffing their way through Basie’s original “M-Squad.” “Blues in My Heart,” “Red
Roses for a Blue Lady,” “Don’t Worry Bout Me,” and “As Long as I Live” complete
this lively trip to Basie country.
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