Back in 1833, British poet Alfred Lord Tennyson dealing with
the untimely death of his great friend Arthur Henry Hallam, wrote one of
greatest poems in the English language—In
Memoriam. Faced with the idea that critics might find the idea of writing poetry
when one was grief stricken off putting to say the least, he considered their
criticism. He understood their objection, and he had an explanation. In
practicing his art, the thing he was best at, working his work as it was given
to him, there was a relief:
. . . for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
There may be
nothing so tragic as the loss of a child. And if in dealing with tragedy a poet
turns to his poetry, it is no shock that in like circumstances, a musician
would turn to his music. Like the poet, he sings because he must. Saxophonist
Jimmy Greene lost his daughter Ana on December 14, 2012 in the shootings at the
Sandy Hook Elementary School in Newtown Connecticut. His album, Beautiful Life released in November is his In Memoriam. It celebrates the life of his daughter and honors
those who died with her. It is a musical expression of the artist’s faith in
the healing power of music.
Greene has
put together a ten song set that moves from instrumental jazz to show tunes,
from spirituals to faith based Christian music. He is backed by a top flight
rhythm section featuring pianist Renee Rosnes, bassist Christian McBride, and
drummer Lewis Nash, plus a flock of guest artists on individual tracks.
Guitarist Pat
Metheny joins in on the initial number “Saludos/Come Thou Almighty King” which
opens and closes with some heartbreaking recordings of daughter Ana singing.
Other vocalists on the project include Javier Colon singing Greene’s lyric for
“When I Come Home,” Latanya Farrell working on “Prayer,” a setting of the
Lord’s Prayer which also includes pianist Cyrus Chestnut, and Kurt Elling
singing “Ana’s Way” along with the Linden Christian Early Years Choir which
includes classmates of Ana.
The basic
quartet works out a pensive “Last Summer” and “Seventh Candle,” and he and
pianist Kenny Barron get together for “Where is Love” from Oliver and “Maybe” from Annie.
The album concludes with a spoken word performance of Greene’s “Little
Voices.”
Beautiful Life is an emotionally charged musical
celebration of a life too soon lost. It is the kind of album you can’t help but
appreciate, while you can’t help praying there will never need to be another
like it.
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