The first time you hear Freedom Jazz
Dance, the latest album from Cynthia Felton you will be impressed by
the purity of her vocals and her command of the jazz idiom. The more you
listen, the more impressed you will be. This is a vocalist steeped in
tradition. She understands the
contributions of the ladies of past generations, and she understands the need
to build upon them. She understands that
the true artist needs to find her own voice. And if Freedom Jazz
Dance is any indication she has found it, and jazz fans are going to
be very glad she has.
The album's 12 tracks, she tells us in the liner notes, are
a "collection of my favorite standards to sing." It won't take long for them to become a
collection of your favorite standards to listen to. She starts with an impassioned a cappella
version of the spiritual "Oh Freedom" in a nod to the gospel roots of
jazz, before morphing into innovative takes on the Paul Desmond, Dave Brubeck
classic "Take Five" and the Rogers and Hart perennial "My Funny
Valentine." "Take Five" features some nice tenor sax work from
Ernie Watts, and "Valentine" opens with the solo trumpet of Wallace
Roney and features some interesting bass 'improv' from Robert Hurst. A variety of different musicians accompany
the singer on the various tracks.
"Better Than Anything" is one of the less well
known pieces on the disc; it gives the singer the opportunity to swing the
blues and add a little scat. Cyrus Chestnut adds a sweet piano solo and Nolan
Shaheed is on the trumpet. "My Love Is" and Charles Mingus's
"Duke Ellington's Sound of Love" two more less familiar tunes follow,
and Felton's performance has to make you wonder why they aren't heard more
often.
"Close Your Eyes" opens lullaby-like with Hurst's
bass and Felton's soft vocal, before she begins to swing with a straight ahead
vibel leading to a guitar solo from Ronald Muldrow, and some additional
scatting. The old Nat 'King' Cole hit
"Nature Boy" gets a little Latin American vibe from Felton. Patrice
Rushen handles the piano and Terri Lyne Carrington the drums. Felton comes in
at the end and wails to a dynamite climax.
It is one of the album's many highlights. The Kurt Weill classic ballad
"Lost in the Stars" gets a dynamic treatment from Felton. This is followed by a wild romp through Ray
Noble's "Cherokee" accompanied by Edwin Livingston's bass and Nolan
Shaheed's trumpet. The Bergman Legrand
ballad "What Are you Doing the Rest of Your Life?" follows and the
album ends with its title song, "Freedom Jazz Dance." The first gets
an eloquent atmospheric treatment from the singer; the second is a rhythmic
celebration with some strong piano solo work from John Beasley. Lorca Hart
drives it forward on the drums. It is a
real tour de force.
Cynthia Felton's Freedom Jazz Dance is as
fine a jazz album as you're likely to come across for the rest of the
year. She is the kind of singer that can
take a great song and make it her own.
Listen to her version of "Cherokee," and if it isn't heresy,
it may well make you forget Charlie Barnett.
Her "Nature Boy" will give the 'King' a run for his money.
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