I suppose it says something about contemporary American
culture that some of the most popular works of fiction among adults in recent
years are book written for children and young adults. First there was Harry Potter. Then there was Katniss Everdeen. Between the two I would guess they've outsold
all the serious adult fiction that was published over the same period. It would be a lot easier to find an adult who
has read The Hunger Games than one who has even heard of let
alone read A Visit From the Goon Squad. With the motion picture version of the first
of the books in the Suzanne Collins' trilogy ready to fill the gap left by the
retirement of the Harry Potter franchise sometime in March, The Hunger
Games is about to find an even
broader audience. After all there are
always those who wait for the movie.
The time then, it would seem, would be ripe to take another
look at this particular manifestation of the phenomenon—a look perhaps a bit
askew. And who better to take that look than
the authors who have previously done the job for Harry Potter, the staff of the
The Harvard Lampoon? It may be that parody is not the sincerest
form of flattery, but it surely is the sincerest recognition of
popularity. Why bother writing a parody
of something nobody is familiar with?
Parody only works when readers know what is being parodied. Harvard Lampooners know a target when they
see it: thus The Hunger Pains.
Like The Hunger Games, The
Hunger Pains is the story of a teen age girl, Kantkiss Neverclean,
who replaces her younger sister as one of her district's combatants in an
annual duel to the death between youngsters from all regions of a dystopian
future world ironically called
Peaceland. Unlike Katniss who is both
smart and resourceful, Kantkiss is both silly and clueless. She stumbles from one absurdity to another,
in an environment where the absurd is the norm, and she stumbles her way to
victory, all the time playing up to the cameras that are, in typical reality
show fashion, following the contestants around.
Most of the cast of The Hunger Games is
here to be ridiculed as well. Peeta
Mellark, the son of the local baker and her partner in the games, becomes Pita
Malarkey, a tubby dependant glutton.
Haymitch Abernathy, the last winner of the Games from her district and
her mentor, becomes Buttitch Totalapathy, a compulsive gambler. Effie Trinket, her liaison with the games
organization becomes Effu Poorpeople.
There's no point giving away all the jokes. You get the idea, and if you
like this kind of thing, you'll like The Hunger Pains. It is filled with puns, one liners and non
sequitors.
Unquestionably there is a lot of funny material in this
book, but parody works best in small doses.
At 157 pages, it loses some of its zest.
Still, fans of The Hunger Games, with a sense of
humor, will probably gulp the whole thing down in a couple of hours, just as
they romped from cliff hanging chapter to cliff hanging chapter in the
original. One thing for sure,
The Harvard Lampoon has captured and skewered all of the
ticks that have endeared Suzanne Collins' trilogy to adults young and not so
young. So let the games begin, or as the Notalks might say: "Ah
se, leh ah Gaes bega!"
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