There are at least three good reasons for classic rock
lovers to take a hard look at Audio Fidelity's latest release in its 24K+Gold
Compact Disc series, Phil Collins' Hello, I Must Be
Going. First of all there is
the music. Second there is the sound
quality. Third, even if you think all
Collins' music sounds the same, the discs in this Audio Fidelity numbered and
limited series may be collectibles waiting to happen.
First things first, the album's ten tracks are samples of
Collins at his dramatic, albeit resentful best.
If you like what Collins does, and while it may not be hip to admit it,
I have to say I do, how can you not want a pristine version of the ultimate
bitter kiss off anthem, "I Don't Care Anymore?" The album is filled with a lot of the same
kind of venom nurtured art: "I Cannot Believe It's True," "Do
You Know, Do You Care?," "It Don't Matter to Me." There is no muse like a woman, even one you
are divorcing. You have to wonder who it
is the singer is listening to in "Thru These Walls." How the upbeat cover of the Supreme's
"You Can't Hurry Love" managed to make its way onto the album is open
to question, but it does at the least offer something of an antidote to the overall
sweet bitterness.
The sound quality on these Audio Fidelity discs is
exceptional. As their website describes
it, their process replaces the "irregular plated surfaces of standard
aluminum discs" with a perfected layer of 24K gold free from "any
type of physical defect." Mastered
in this case by noted audiophile music restoration specialist, Steve Hoffman
the CD aims for what he calls a "lifelike" sound. In answer to a question on his website,
Hoffman says: "I want that 'breath of life.' That’s what I want. If it
sounds like a fake approximation of nothing that’s alive—that is not it for me.
I want it to sound like, (and it doesn’t matter if it is Buddy Holly or Blood,
Sweat and Tears or The Doors) I want it to sound like they could be standing in
the same room where you are listening."
While there are those who argue there are superior re-mastering
processes, the sound on the Audio Fidelity discs is impressive enough for me.
Finally there
will be those who, as I suggested in my review of the Audio Fidelity release of
James Taylor's Sweet Baby James, will not even bother to cut
open the shrink wrap on their CD.
Limited edition, numbered, and nestled in what the manufacturer calls
"deluxe packaging with see-through slip cases," these discs are prime
candidates for collectors. A quick check on eBay shows that there is indeed a
market for past issues. The Band's
self-titled album, for example, is on sale for $89.99. Given contemporary interest rates, there
could be worse ways to invest your money.
Seriously, the
Audio Fidelity 24K + Gold series offers a selection of some of the best classic
rock mastered with expert care. Hoffman
is on record as saying his goal is for the music to sound
"alive." As far as this ear is
concerned, it is a goal he has reached.
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