If, like me, the only thing you know about Lea DeLaria, is
her fine-tuned portrayal of Big Boo, the butch lesbian in Orange is the New Black, you’ve got a surprise coming. Turns out
DeLaria is one stylish jazz singer with a voice belied by her television image.
This lady can sing. The proof is in her recently released album, House of David, a collection of a dozen
David Bowie compositions. These are not ordinary run of the mill covers. Joined
by a varying ensemble of swinging musicians, DeLaria transforms the songs,
takes them and makes them her own.
As she explains in a short liner note, she fell in love with
Bowie’s music back in 1972 when, hanging out in a boyfriend’s basement, she
first heard the strains of “Starman.” It
was a love she defines in superlatives: “David Bowie, God of Rock. . . . David
Bowie, to me, the defining singer-songwriter of the latter part of the 20th
century.” Even without her praise, her passion for the music is clear in her
performance.
From the very first song, “Fame,” her arrangement lets you
know she is not interested in mere pop copies. Her vocals are crisply inventive
and her band is tight. It is only a taste of the goodies to come. She follows
with excellent versions of “Space Oddity,” “Golden Years,” and “Suffragette City”
before getting to her own take on “Starman.” Here she spotlights her rich voice
by paring down the ensemble to a quartet featuring sweet solo work from Kevin
Hays on piano and Kenny Wollesen on drums.
Other highlights are the even more greatly pared down “Let’s
Dance” where she works with Hays and Tony Scherr on acoustic bass, and “Boys
Keep Swinging” with some swinging tenor sax from Seamus Blake. “Life on Mars?”
is a dark torch song that builds to a dynamic emotional climax, while “The Jean
Genie” has a funky vibe. The set ends with Bowie classics “Modern Love” and
“Young Americans.” By the time you get to the end of the album if you don’t
feel that Bowie is a god, you may well feel that Lea DeLaria is a goddess.
